Digital services for events.
Promoters, weddings, conferences, festivals, and venues. The work happens once and has to outlive the day.
- You are selling tickets, seats, or a booking for a date in the future
- The event itself is excellent and almost nobody outside the room ever sees it
- You will run something like this again and want next year to sell faster
The problems we usually see.
The night was extraordinary and the only footage is a guest's phone, held vertically, in the dark.
You are selling next year on last year's photos and they are not good enough to charge more.
Nobody was briefed to capture anything, so the highlights are whatever happened to be filmed.
The room sounded incredible and the recording sounds like a room.
The aftermovie arrives six weeks later, long after anyone still cares.
In the order most clients buy it.
A typical engagement.
Event work is planned backwards from the date, because there is no second take. We agree the shot list and the deliverables before the day, cover it with the right number of people for the room, and turn a short cut around within days rather than weeks so it lands while the audience is still talking about it. The full film and the stills follow. Audio matters more here than anywhere else we work: a live room recorded badly cannot be fixed later, so we plan the sound at the same time as the picture. For recurring events, the footage is the marketing asset for the next one, which is where paid promotion comes in.
Work with clients like you.
What this usually costs.
TODO — set range
Coverage on the day, a short cut for social within days, and an edited set of stills.
TODO — set range
The above plus a full highlight film, cut-downs for every platform, and a paid push behind the next date.
TODO — set range
Coverage across a run of events, managed social throughout, and a library you own and can sell against for years.
What people in your position ask.
How quickly do we get something to post?
A short cut within a few days, agreed before the date. Event content has a short half-life, and a beautiful film delivered six weeks later has missed the moment it was for.
How many people do you send?
It depends on the room and how many things happen at once. We tell you the number and why before you book, rather than sending one person to cover three stages and hoping.
Can you record the audio properly?
Yes, and it is the thing most event coverage gets wrong. A live room captured off a camera mic cannot be rescued in the edit, so we plan the sound with the picture.
Do you cover weddings?
Yes. The approach is the same as any single-take event: plan it beforehand, cover it properly, deliver something quickly and the full film afterwards.
Who owns the footage?
You do, including the raw material. For recurring events that library is worth more each year, and it should not sit on a vendor's drive.
Let's talk about your event.
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